StaffOn February 10, 2025, London’s esteemed Criterion Theatre played host to Paines Plough’s 50th Birthday Gala, a night that shimmered with theatrical brilliance and celebrated half a century of groundbreaking new writing. The event was a testament to Paines Plough’s enduring legacy in championing contemporary playwrights and their works.
The evening commenced with an exclusive premiere by James Graham, eloquently delivered by the acclaimed Monica Dolan. This piece set a poignant tone, reflecting on the transformative power of theatre and the importance of nurturing new voices.
Following this, the audience was treated to a series of evocative performances from Paines Plough’s rich repertoire that enchanted the crowd throughout the evening. power packed performances started with “Crave” by Sarah Kane: Under the direction of its original helmer, Vicky Featherstone, actors Thomas Coombes, Alfred Enoch, Siobhan McSweeney, and Rebekah Murrell delved into Kane’s profound exploration of love and loss.
“After the End” by Dennis Kelly: Directed by Matthew Dunster, this gripping narrative was brought to life by Meg Bellamy and Hugh Skinner, portraying a tense post-apocalyptic scenario that kept attendees on the edge of their seats. “Love, Love, Love” by Mike Bartlett: The stellar trio of Lesley Sharp, Iain Glen, and Jessie Cave navigated Bartlett’s incisive commentary on the Baby Boomer generation, delivering performances that were both humorous and heart-wrenching.
“Sea Wall” by Simon Stephens: Tom Sturridge, renowned for his role in “The Sandman,” revisited his Tony-nominated performance, captivating the audience with a monologue that was both intimate and profound. “Hungry” by Chris Bush: Actors Heather Agyepong and Sophie Melville delved into themes of class and gastronomy, presenting a narrative that was both thought-provoking and timely.
“Bullring Techno Makeout Jamz” by Nathan Queeley-Dennis: Kola Bokinni, familiar to many from “Ted Lasso,” delivered a spirited performance that celebrated Birmingham’s vibrant culture and the complexities of modern love. “Every Brilliant Thing” by Duncan Macmillan with Jonny Donahoe: The evening concluded with Jonny Donahoe himself guiding the audience through a touching journey of life’s myriad joys, leaving many with glistening eyes and uplifted hearts.
A special filmed segment featured Amy Trigg, an Olivier Award-winning actor and playwright, performing a scene from her acclaimed work “Reasons You Should(n’t) Love Me.” This piece, which garnered the Women’s Prize for Playwriting in 2021, was recorded in the very venue where Paines Plough’s journey began five decades ago.
The gala also saw appearances from luminaries such as Indhu Rubasingham, the Director Designate of the National Theatre, former Paines Plough Artistic Director James Grieve, and esteemed playwrights Roy Williams, Mark Ravenhill, and Ryan Calais Cameron. Their presence underscored the profound impact Paines Plough has had on the UK’s theatrical landscape.
The audience was a constellation of stars, with notable figures like Thomas Coombes, Meg Bellamy, Tom Sturridge, Kola Bokinni, Hugh Skinner, and Jonny Donahoe gracing the event. Their sartorial choices ranged from classic elegance to contemporary chic, reflecting the evening’s blend of tradition and innovation.
The gala was not merely a retrospective but also a fundraiser, aiming to secure £50,000 for Paines Plough’s “50 for 50 Campaign.” This initiative seeks to ensure the company’s continued support for new writing in an era where such endeavors face increasing challenges. As noted on their official website, “There are so many stories in danger of never being heard, and we want to make sure we can spend the next 50 years finding them.”
In the words of playwright James Graham, “A monumentally brilliant theatre company.” The gala was a resounding affirmation of Paines Plough’s pivotal role in the arts, celebrating its storied past while looking ahead to a future filled with untold stories waiting to grace the stage.
